Muther, Richard, 1860-1909 · London : J. M. Dent; New York, E. P. Dutton · leaf 40
istinctlyhow widely the two, whowere usually mentioned inthe same breath, differedfrom each other in spite ofhaving grown up on the samesoil. Even their outward mandisplays this dissimilarity. Reynolds appears in his Portrait of Himself in theUfifizzi Gallery at Florence, inthe red mantle of the… … GIN LANE. 20 THE HISTORY OF MODERN PAINTING sits much within doors. A pair of spectacles with large, round glasses leadsone to conclude that he injured his eyesight early with much reading.Gainsborough, with his refined Roman nose, the haughty, curved sensuous lips, and the expression of his…
Painting
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