Muther, Richard, 1860-1909 · London : J. M. Dent; New York, E. P. Dutton · leaf 44
attained into the Italian schools. They all deal with questions of technique, on effects of light and shadow, on the mystery of chiaroscuro. For Titian, in particular, he had an extravagant devotion,—he would ruin himself, he said, if he might only possess one of the great works of Titian. When he… … 22 THE HISTORY OF MODERN PAINTING Gunning, afterwards the Duchess of Hamilton, he appeared in 1753as a power in Enghsh art. As early as 1755, when Hogarth was compelledto give up portrait painting for lack of patrons, one hundred and twenty-five persons sat for Revnolds, andafter that about one…
Painting
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