A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century (1871)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London, J. Murray · leaf 418
e frag-ments preserved at Belluno and Padua, is that the 1 Anon. 5, Gonz. la Basilica, ii. s.I. 59, and Doc. XLIII. The mo-nochromes here and the arms ofGattamelata are classical, in theMantegnesque style, and recallthe detail of Andreas triumphsat Hampton Court; the rest ofthe chapel is… … ClIAP. XIII. MONTAGNANA. 363 outlines were rough^ vviry, and coarse^ as compared withthose of the great Paduan^ that the flesh was metallicin tone^ and that it was painted with liquid tints ina resolute and hasty methods We might easily be ledby comparison to assign to the same hand the ma-donna…
