A history of painting in north Italy : Venice, Padua, Vicenza, Verona, Ferrara, Milan, Friuli, Brescia, from the fourteenth to the sixteenth century : drawn up from fresh materials after recent researches in the archives of Italy, and from personal inspection of the works of art scattered throughout Europe (1871)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London : J. Murray · leaf 416
frag-ments preserved at Belluno and Padua, is that the 1 Anon. 5, Gonz. la Basilica, u. s.I. 59, and Doc. XLIII. The mo-nochromes here and the arms ofGattamelata are classical, in theMantegnesque style, and recallthe detail of Andreas triumphsat Hampton Court; the rest ofthe chapel is whitewashed.… … Chap. XIIL MONTAGNANA. 363 outlines were rough, wiry, and coarse, as compared withthose of the great Paduan, that the flesh was metallicin tone, and that it was painted with liquid tints ina resolute and hasty method.1 We might easily be ledby comparison to assign to the same hand the ma-donna…
Painting, Italian · Painting, Renaissance
Internet Archive · Getty Research Institute · Public Domain Mark 1.0. Free to use for anything.
