Inside Out Library · Explore

A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century (1871)

Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London, J. Murray · leaf 620

An illustration from A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century, 1871, leaf 620
hild andsaints, is not by Costa. ^ Louvre, No. 175, canvas, m.1-58 h. by 1-93, inscribed: L.Costa f. The picture came afterthe sack of Mantua into the cha-teau Richelieu in France. * London, collection of the lateSir Ch. Eastlake. To the left inthe nativity a kneeling figure. Inthe second… … Chap. XVII. COSTA. 549 madonna of Sant Andrea, though greatly injured, stillshows how deeply affected Costa had been by Umbrianmodels.^ We might almost conjecture that he had a share incertain frescos in Mantegnas chapel at Sant Andrea/-and in the room called the Schalcheria at Mantua/^ Weshould…

Painting · Painting, Gothic · Painting, Renaissance

Internet Archive · Brigham Young University · Public Domain Mark 1.0. Free to use for anything.

More pictures from A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century

More like this