A history of painting in north Italy : Venice, Padua, Vicenza, Verona, Ferrara, Milan, Friuli, Brescia, from the fourteenth to the sixteenth century : drawn up from fresh materials after recent researches in the archives of Italy, and from personal inspection of the works of art scattered throughout Europe (1871)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London : J. Murray · leaf 620
ld andsaints, is not by Costa. 3 Leuvre, No. 175, canvas, m.1-58 h. by 1*93, inscribed: L.Costa f. The picture came afterthe sack of Mantua into the cha-teau Richelieu in France. 4 London, collection of the lateSir Ch. Eastlake. To the left inthe nativity a kneeling figure. Inthe second composition… … / Chap. XVII. COSTA. 549 madonna of Sant Andrea, though greatly injured, stillshows how deeply affected Costa had been by Umbrianmodels.1 We might almost conjecture that he had a share incertain frescos in Mantegnas chapel at Sant Andrea/2and in the room called the Schalcheria at Mantua.3 Weshould…
Painting, Italian · Painting, Renaissance
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