A history of painting in Italy, Umbria, Florence and Siena, from the second to the sixteenth century (1908)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Douglas, R. Langton (Robert Langton), 1864-1951, Strong, S. Arthur (Sandford Arthur), 1863-1904, Nicola, G. de, Borenius, Tancred · London : J. Muray · leaf 126
rm of the servant from the nobler one of the Virgin, Barnagives her a fuller and more developed figure, and at the same timea less strained action. The servant is therefore the more pleasingbecause the more natural of the two, the round outline of thehead being improved by a pretty turn of the hair… … CRUCIFIXION By Berna. From a fresco in the Collegiata, San Gimignano III.—To face page S2 i.] BERNA 83 better condition than the remainder, which in most parts isbarbarously repainted.1 The Saviour in the Baptism, a heavy nude, stands in the act ofbenediction, and is fairly if not nobly defined.…
Painting · Painting, Italian
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