A history of painting in Italy, Umbria, Florence and Siena, from the second to the sixteenth century (1908)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Douglas, R. Langton (Robert Langton), 1864-1951, Strong, S. Arthur (Sandford Arthur), 1863-1904, Nicola, G. de, Borenius, Tancred · London : J. Muray · leaf 152
xaggerated one of anaged woman. A nimbed figure on horseback standing in profile in front, affected inthe action of the arms (much discoloured), is said to be a portrait of the Duke ofAthens, and near him is supposed to be the likeness of Cavallini; but these arefables to captivate the idle, not to… … O i—l •I m<O o inW B H r Izl £ o O K ^-* ■Ao 5-i J —i M O o o m {= H <i> o 0) oo B3 C3 s o S-l ii.] PIETRO LORENZETTI 103 back with her thumb. With some slight variety her form is arepetition of that in Pietros altarpiece at Arezzo. Beneath this,and between two shields of which the…
Painting · Painting, Italian
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