A history of painting in Italy, Umbria, Florence and Siena, from the second to the sixteenth century (1908)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Douglas, R. Langton (Robert Langton), 1864-1951, Strong, S. Arthur (Sandford Arthur), 1863-1904, Nicola, G. de, Borenius, Tancred · London : J. Muray · leaf 162
rna, Florence. * The two scenes of No. 132, as well as the two scenes of No. 136, representevents in the life of St. Nicholas of Bari. Some recent critics do not regardNo. 136 as a work of Ambrogio himself. 2 Vasari, ii., p. 67. * 3 The Madonna in the Duomo has already been referred to by the… … tSlAs-ff ■/f. r/re. ii.] AMBROGIO LORENZETTI . A 111 High up on the left hand, a half-length figure_ojL5£i&&Qm, inscribedsapibntia, crowned with a diadem and wearing a veil round its neck,hovers on the wing with a book in her left hand.1 She holds with herright the handle of a gigantic…
Painting · Painting, Italian
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