A history of painting in Italy, Umbria, Florence and Siena, from the second to the sixteenth century (1908)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897, Douglas, R. Langton (Robert Langton), 1864-1951, Strong, S. Arthur (Sandford Arthur), 1863-1904, Nicola, G. de, Borenius, Tancred · London : J. Muray · leaf 74
nal Gentile in the lunette above the door, in frock and cowl,his red hat lying on a balustrade in the Gothic church which forms 1 One behind the Emperor carries a hawk on his fist, and two others behind thesaint play a mandolin and pipes. St. Martin himself lifts his head and arms toheaven. 2 About… … ST. MARTIN IS MADE A KNIGHT By Simone Martini From a fresco in the Lower Church, Assisi II.—To face page 44 l] SIMONE MARTINI 45 the background, is raised from his kneeling position by St. Martin.1Natural movement marks this well arranged group; and Simoneshows that he excelled in portraiture,…
Painting · Painting, Italian
Internet Archive · Brigham Young University · Public Domain Mark 1.0. Free to use for anything.
![An illustration from XIXe [i.e. Dix-neuvième] siècle (en France); classes - moeurs - usages - costumes - inventions. Ouvrage illustré d'un front. chromotypographique, de 16 planches coloriées aux patrons, de 36 entetes et lettres ornées et de 487 gravures (dont 24 tirées hors texte) d'après les principaux artistes du siècle (1893)](https://img.insideoutlibrary.com/img/200/ia-xixeiedixneuvi00granuoft-584-422.webp)
