[Peker, Charles Godfrey], 1878- [from old catalog], Jennings, Arthur Seymour, b. 1860 · New York, Industrial publication co. · leaf 14
12 HOW TO MIX PAINTS. there is a very important thing to do, viz., to strain the paint. Straining Paints. If one compares an ordinary job of painting done by a first-class painter with that executed by an amateur or less experienced hand, he will find in, perhaps, ninety-nine cases out of a hun- … A— Body of Strainer. B— Clips to hold C and D in place. C— Compression Band. D— Wire Gauze. Fig. 2. dred, that the latter shows on its surface a num- ber of specks or little bits, while the former is beautifully smooth. The reason for this is that the painter knows enough to thoroughly strain every…
Paint
Internet Archive · The Library of Congress · Public domain (published before 1931). Free to use for anything.
