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How to study pictures by means of a series of comparisons of paintings and painters from Cimabue to Monet, with historical and biographical summaries and appreciations of the painters' motives and methods (1905)

Caffin, Charles Henry, 1854-1918 · New York, Century Co. · leaf 415

An illustration from How to study pictures by means of a series of comparisons of paintings and painters from Cimabue to Monet, with historical and biographical summaries and appreciations of the painters' motives and methods, 1905, leaf 415
t. Now, while the composition of each picture is regu-lated with deliberate artifice, Fortunys is so tactfulthat the scene appears real and impresses us at once ai^a single harmonious whole, in comparison with whichPilotys seems artificial and confused and broken up.Perhaps the confusion is… … < i4 X o <Q o CL, 2- H 5 S

Painting · Painting -- Study and teaching

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