The arts in the middle ages, and at the period of the Renaissance (1875)
Jacob, P. L., 1806-1884 · London : Chapman and Hall · leaf 438
n native genius matured by tlie lessons of tlie Italians. There was,therefore, always a French school that preserved its individual character-istics, its generic good qualities and defects, wliich are so well representedin tlie sculptures of tlie Hôtel du Bourgtlieroulde, Rouen (Fig. 290). Michael… … Fig. aqo.—Bas-relief of the Hôtel du Bourgtheroulde, Rouen, representinj a Scène in the Interview betweenFrancis I. and Henry VIII., on the Field of the Cloth of Gold. tion of the Renaissance. It would be, perhaps, irreverent to say thatthis âge was an âge of decay; we might fear of desecrating the…
Art, Medieval · Art, Renaissance
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![An illustration from Aereoplastes theo-sophicus, sive, Eicones mysticae : rarâ solertiâ, ac sagacitate singulari effictae eæq́[ue] æri incisæ : integram veræ theosophias rationem mirâ dexteritate adumbrantes : euolutione Latinâ ex Sacris Scripturis, sanctis patribus, philosophis, oratoribus, historicis ac poëtis tàm Græcis quàm Latinis Christianis iuxtà atq[ue]; gentibus nunc illuminatæ, ac bonorum bono editæ (1620)](https://img.insideoutlibrary.com/img/200/ia-aereoplatestheos00orae-31-12.webp)
