estion, depended not atall upon the particular facial expression of anyfigure or upon any incident pertaining to one figure—a condition upon which a lesser artist wouldhave depended. The spirit of the thing whollyrelied upon the line and massing of the composi-tion, and that quality was as strong… … ■ AGRICCI I CRAI. I.AISiURKK.i HV IRANI. BRAK iY\, A.R.A.7 Mr. Brangwyris Decorative Panels at Venice object in perfect harmony with the fantasticspirit of such a subject, and one cannot but feelas he looks at this composition the fine musicalquality of the whole. If Whistler has in bissymphonies…
Art · Decoration and ornament
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