acter, and we ask fewer questions as to how theBarbizon menpainted and morequestions as towhat their paint-ing disclosed to usof their individualpersonalities. Weno longer feel that . they have secrets v^ to tell us of the i great art practised■ by them. TheirV- technical methods have ceased to… … Properly oj Ihc Metropolitan MuEDGE OF THE WOODS By PermissionBY ROUSSEAU tNpes composing the group become increasinglyvague, thrust farther and farther into historic dis-tance. It is worth while, then, to make use of theopportunities recently afforded us in the Copleyexhibition of Boston and in…
Art · Decoration and ornament
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