esigns on the sword pom-mel and in the forms of the rings and chain the re-markable freedom and grace of his patterns forgoldsmiths work, and, above all, we see how hisfeeling for flat modeling and rejection of cast shad-ows began with his beginnings. In Lucas Cranach the Elder we have a…
Art · Decoration and ornament
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Illustrated catalogue of a highly important collection of ancient paintings of the Italian, Dutch, Spanish, Flemish and French schools, including an imposing gathering of Italian and Flemish primitives [electronic resource] : to be sold at unrestricted public sale by direction of the F. Kleinberger Galleries, for the purpose of adjusting the business interests of their former partnership and the present incorporation, in the grand ballroom of the Plaza Hotel, Fifth Avenue, 58th to 59th Street, on the evening herein stated (1918)](https://img.insideoutlibrary.com/img/200/ia-liu-31289009872740-174-70.webp)
![An illustration from Illustrated catalogue of the eigth [sic] series of 100 paintings by old masters of the Dutch, Flemish, Italian, French, and English schools : being a portion of the Sedelmeyer Gallery which contains about 1500 original pictures by ancient and modern artists (1902)](https://img.insideoutlibrary.com/img/200/ia-illeigt00gale-50-29@90.webp)