and the study of afine tradition. Hence the pictorial aspect andpoint of view grew up with him as the naturalvision, the handling of pigment was soon habitual.As a lad of fifteen he could carr) through a selfportrait, in the style of Rembrandt, that still strikesone by its qualities of well seen… … THE LIME-i XXXVII. ;iLNNo. 14S.—June, 1909. WILSON STEBR250 Philip IVilson Steer him, thereby tolling, as he supposed, the knell ofhis artistic possibilities. In Paris, however, thepoor accomplishment of many disillusioned ex-Academy students injected a suspicion as to thefallibility of that…
Art · Decoration and ornament
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