the factthat when he first came to Tokyo he was forced to doalmost everything. He could paint pictures which wereso different in style that it was virtually impossible for thecritics to recognise them as the work of a single artist.His four studies in Mouftfain Streams, now at the Exhi-bition, show… … deer in autumn EY KAWAI GYOK.UDO (TOKYO)
Art · Decoration and ornament
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
