ngerappeal than a quagmire, and he who would producea picture should give almost unlimited time tothought preparation before touching brush to can-vas, as do the elect from the Land of the Chrysan-themum. Reviewing his work as a whole, one finds no traceof morbid sensitiveness, nor, but rarely, is… … OVERMANTEL, A ROMAN GARDEN BY EARL STETSON CRAWFORD emanates from the canvas a sublimated, elusive sug-gestion of radiance, of such order as the etheric over-tones of a stringed instrument that vibrate into si-lence and touch the borderland of infinity—there issuch close alliance between sound and…
Art · Decoration and ornament
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