elyconvincing. That feeling of subtilisedFrench technique which one sometimes experiences in the presence of thesepictures of the nude, appears to me to be less inevidence in Zorns pictures of peasants in theirdresses, and in his portraits. He seizes his peasantwomen (kullor) with a robuster… … AI.MA. STATUERKI) CLAY BY every line of his brush, in every play of sunlightand each wrinkle on her face. In Sunday, boththe model and the sfcimning, or mood, aredifferent. Here we have a herd-girl, who, alone inher shealing high up among the fells, has dressedherself in her whitest shift and the…
Art · Decoration and ornament
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