of the Glasgow Schoolhave, in their later expression, been assisted by amore definite presentation of form. This is par-ticularly evident in their portraiture. The earlyportraits seem to have been painted more for thedelight in the beauty of purely decorative schemesthan as attempts to realise form… … THE GATE OK THE FENS (WATER-COLOfR) (In the possession of [ohn Tatter sail, ^^^■)XLIX. No. 196.—June 1913 BV E. A. WAI.TON, K.S.A. , r,_ 261 E. A. PValton, R.S.A. without being forced or crude. The Whistlerinfluence was marked. With the passage of years has come a greateremphasis in the matter of…
Art · Decoration and ornament
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