in enamel.There is neither that crudity nor sameness that is so often foundin the colouring of the sixteenth-century glazes,but a variety of tone that is a surprise anddelight. This method of reproduction shouldprove of great value to sculptors and decoratorsin suggesting the great variety of uses… … K.\CFKM.\XN-U.\l R lOlNTAINPITTSBURGH rations the use of glazed low relief is more elTectixxthan painting, as in the lunette for the Sailorslii>lituli. [hvw is no limit to the \ariit\- of colournor does this detract from I he dignit} of the sculj)-tured surface. The Four Seasons Fountainreaches…
Art · Decoration and ornament
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
