timate development fromthe primitive type, while thefigure is significant of hissympathy with the greatGreek school of ecclesiasticalart. Xasnetsov is, in fine, notonly an accomplished masterof form, but an arch.xolo- gist, and since wall-painting in whatever mediumrequires a specialised knowledge… … ST. AI.BXANI\VAI.I.-IAINTIN<; BY Italians, the artist being somewhat less restrictedby his medium than in the case of fresco proper.The plaster is not freshly laid, but moistened, anda mixture of lime or baryta water with the pigmentsgives solidity to the colouring. The conclusionat which one…
Art · Decoration and ornament
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
![An illustration from A descriptive and illustrated catalogue of 150 paintings by old masters of the Dutch, Flemish, German, Italian, Spanish and French schools [electronic resource] (1911)](https://img.insideoutlibrary.com/img/200/ia-frick-31072002097360-159-117@90.webp)
