ible in the nineteenth century and the be-ginning of the twentieth for the creator of formsso full of the traditional and the classic—usingin its broadest sense this term, the sense ofwhich is so little understood—to have been solong, so obstinately, so strangely opposed. Rodin was always… … PORTRAIT DE MME. RODIN BY AUGUSTE RODIN {Photo J. E. Bulloz, Paris) 57 The Death of Rodin substitution of a teaching artificial and super-ficial, contemptuous alike of nature and of life,a teaching narrow and restricted, frivolous andunworthy. In this way Rodins art, like thatof all the great…
Art · Decoration and ornament
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