pic-tures. The superior person may sneer atpicture-making of this kind, but thepainter could at least console himself withthe reflection that he had given pleasure tomany, and, perhaps in an indirect way,helped to maintain the stability of oursocial fabric by encouraging domesticvirtues. And there… … BLUE MORNING. BYETHEL L. RAWLINS course of ten lectures on La PeintureFran9aise au XIX siecle is well known toreaders of The Studio by the many illumi-nating articles and reports he has contri-buted to its pages in past years. There arefew French writers who possess his intimateknowledge of…
Art · Decoration and ornament
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