s outside theinfluences which ferment so quickly in the artcenter of the world. Where he would see subtlecolors playing into one another, many of his con-temporaries would see opposed forces or rhythmicmotions. Where the modernist paints the barenessor the abstract quality he recognizes as… … WI M I I:BY VICTOR ness of mood and sunlight, with-out a striking and, let us say, anintellectual dominant force. But such an accept-ance is at the bottom of Victor Charretons art.He looks for all the beauty he can find in the natur-ally poetic appearance of things. The name of GuiIIaumin keeps…
Art · Decoration and ornament
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