us-sian, and again intothe French, with, onthe whole, a sense ofsameness. Apart fromthe variety of the for-eign collections, a re-markable adhesion toleaders was evident inthe rank and file. TheSalon dAutomne of1921 marked as neverbefore the crystalliza-tion of the ultra-modern spirit into aschool,… … MATEHMTH BY J LAX MARCHAND(Carnegie International Exhibition, /u-> / that is modernh ex-pressive, valuabrefreshing it has con-tributed to that tra-dition. But, on thewhole, the salons re-main unities of mass-art, and the decay ofwhat was before thewar a new individual-istic spirit, was…
Art · Decoration and ornament
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Annual exhibition [electronic resource] : no jury, no prizes (1917)](https://img.insideoutlibrary.com/img/200/ia-bml-31072001519406-65-69.webp)
![An illustration from A descriptive and illustrated catalogue of 150 paintings by old masters of the Dutch, Flemish, German, Italian, Spanish and French schools [electronic resource] (1911)](https://img.insideoutlibrary.com/img/200/ia-frick-31072002097360-133-95.webp)
