iltsthat are his. We appreciate above all that he isendowed with a sentiment for the pictorial, whichhas been strengthened and purified by his studiesand experiments, by the influences ol Ins gition, but which relates him to one ol tindeep-seated and the most enduring traditioithe art of his… … has never touched him, paysage de provence BY JEAN MARCHAND and that archaism asso-ciated with so much recent work lias entirelydisappeared from his. We find increasingly thenature of the man in Ins paintings. He lias nofancy, no affectation. His joy is like sorrow. Hehas a deep, sober temperament,…
Art · Decoration and ornament
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