Mediæval art, from the peace of the church to the eve of the renaissance, 312-1350 (1904)
Lethaby, W. R. (William Richard), 1857-1931 · London, Duckworth and co.: New York, C. Scribner's sons · leaf 257
lyo GOTHIC ADAPTABILITY a series of squares or triangles, and the recurrence of similarrelations echoing one another is likely to produce someharmony in all arts. In the studies of V. de Honnecourt attempts are made to triangulate the proportions ofhuman figures and animals, andDiirer was…
Art, Medieval
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