Modern french masters; a series of biographical and critical reviews by American artists (1896)
Van Dyke, John Charles, 1856-1932 ed · New York, The Century co. · leaf 116
ression ofthe artist before the individuahty of the sitter. The easel pic-tures of the same period are less ivory-hard than the portraits,are richer and fuller ia color and in texture, but they aremarked by the same reserve and mystery of technic. Hisgreatest triumph in this line is The Wave and… … DIANA DRIVING AWAY LoVE. liY BAUDRY PAUL-JACQUES-AIMfi BAUDRY 57 charm of expression, the slender beauty of the youthful typeof figiu-e, and the absolute but unostentatious science of thedrawing, may be seen in the black and white reproduction, butthe pearly loveliness of the color, the perfection…
Painters -- France · Painting, French · Painting -- Reproduction
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