The monuments of Christian Rome from Constantine to the renaissance (1908)
Frothingham, Arthur L. (Arthur Lincoln), 1859- · New York : The Macmillan company · leaf 233
unoriginalproduct until the extinc-tion of the art guildsin the fifth and sixthcenturies. In one way it has a pe-culiar interest, because,unlike sectarian paint-ing, it was a commonmeeting ground. Pagan,non-sectarian (civil), anddistinctly ChristianStatue of Hippolytus, Bishop of Porto. f^^^^^g ^^i… … SCULPTURE 223 Datural evolution of style. Even in the Christian field it wasonly in the reliefs that sculpture showed a dogmatic tendency.It was inherent in the nature of statuary that it shouldbe the least affected by a change of faith, as its very sim-plicity makes it a form of art but ill…
Art · Christian art and symbolism
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