The monuments of Christian Rome from Constantine to the renaissance (1908)
Frothingham, Arthur L. (Arthur Lincoln), 1859- · New York : The Macmillan company · leaf 264
ing of the schoolcame with the Avignon exile. Sothoroughly was it depleted that when,toward the middle of the fourteenthcentury and later, the Popes orderedan occasional monument or ciborium,it was found necessary to call sculptors to Kome, especiallyfrom Umbria and Tuscany. Such works as the… … Tabernacle at S. Clemente. PAINTING It is neither practical nor logical to separate, as manywriters have done, the two main branches of Christian muraldecoration — mosaics and wall paintings. Much as theydiffer in technique, they stand together in all matters impor-tant for the history of mediaeval…
Art · Christian art and symbolism
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