The monuments of Christian Rome from Constantine to the renaissance (1908)
Frothingham, Arthur L. (Arthur Lincoln), 1859- · New York : The Macmillan company · leaf 346
it unusuallyeasy, from the unity Giottesque Crucifixion at S. Saba. of their theme, to trace the change in Cavallinis style in the course of abouttwenty-five years. The milder, more delicate types at Naplesare due to broader expanses of unbroken tone, a greater use ofwhites and less brush and line… … 336 CLASSIFICATION OF THE MONUMENTS Giotto. — Giottos work in Rome need only be referred to,because though he received his artistic education in Rome hisstyle was so much his own as to place him outside the Romanschool. He lived and worked there at intervals betweenc. 1285 and 1303, alternating…
Art · Christian art and symbolism
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