es that are to govern the struc-tural development of his design, willfeel that the problem of conventionali-zation is solved when he has adaptedthe lines and forms of a specific speci-men to a definite shape. His attentionis absorbed almost entirely by the linesand forms of the specimen with… … FIGURE FORTY-ONE tone. If we are ready to accept theassertion that the beauty of a design isdependent, in the final analysis, on itsstructural fitness and the relation oflines, forms, and tones, rather than uponits relation to nature, to historic orna-ment, to style, or to pictorial interest,then,…
Art · Arts and crafts movement
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
![An illustration from XVIIme [i.e. dix-septième] siècle : lettres, sciences et arts, France, 1590-1700 (1882)](https://img.insideoutlibrary.com/img/200/ia-xviimeiedixsepti00jaco-579-270.webp)
