feeling ofdivine repose. If the group seems monumental, it is the influenceof my early training. When a child I spent much time in a marbleyard with my father in Iowa. I learned to cut marble, and thethought of how a composition will materialize in stone seems to con-trol my execution and my… … THE FOUNTAIX OF THE GREATLAKES : LORADO TAFT, SCULPTOR
Art · Arts and crafts movement
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
