A new history of painting in Italy, from the second to the sixteenth century (1864)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London, J. Murray · leaf 332
endency to import into painting the laws ofdistribution habitual to the sculptor of bas-reliefs. Hedivided his scene into three great parts, joining them welltogether for the sake of unity and introducing a strongrealism into the incidents. His power of keeping the humanform, even when draped,…
Painting
Internet Archive · Brigham Young University · Public Domain Mark 1.0. Free to use for anything.
