A new history of painting in Italy, from the second to the sixteenth century (1864)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London, J. Murray · leaf 68
alone, in its vehemence, might demonstrate that in Duccioan accurate study of nature predominated; that physicalforce was before decorous passion, religious character anaccessory. Old types, well presented in their old garb,but with something beyond the old imitation of nature, —more could not be… … Vol. II. p 46
Painting
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