Nuremberg and its art to the end of the 18th century (1905)
Rée, Paul Johannes, b. 1858, Palmer, George Henry, 1871- · London, H. Grevel & Co.; New York, C. Scribner's Sons; [etc., etc.] · leaf 160
im. In direct contrast to the richness of the picture offered by the developmentof the technical arts, in the course of the 16 century, was the dry and unpro-ductive outlook in the monumental arts. In painting, the influence of the ItaUansand of the Netherlanders who imitated them became stronger… … Fig. 105. Panelling and door in the Pellerhaus.From Niirnberger Motive, edited by W. Biede. portrait painting. The cleverest representative of the art was Nicholas Neu-chatel who came to Nuremberg from the Netherlands. The Nurembergersturned his name into Lucidel, — Nutzschidell being the…
Art -- Germany Nuremberg · Nuremberg (Germany) -- Description and travel
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