Cole, Timothy, 1852-1931, Van Dyke, John Charles, 1856-1932 · New York : The Century Co. · leaf 232
y or shrewdness about it. His harmonies wereattained by using colors pleasing in themselves, and by keepingthem in perfect tone. In this he was not confused by shadow masses.He struck a high pitch and held to it throughout the whole picture,placing primary colors in such elementary appositions that… … THE CHAPEAU DE FAILLE, BY RUBENS. NATIONAL GALLERY, LONDON. PETER PAUL RUBENS 169 direct adjustment, with dependence upon contrast or accord. Theintense brilHancy of his colors was a forceful adjunct of his art, forit gave sharp resonance to the whole. His flesh-color, alone, baf-fled every one of…
Painters -- Netherlands · Painters -- Belgium
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