On the philosophy of painting: a theoretical and practical treatise.. (1849)
Twining, Henry · London : Longman, Brown, Green, and Longmans · leaf 160
gement, and by the same feeling and interest per-vading the whole, that the perfect observance of unityof subject, place, and action, will strike every one. Theartist has gained additional facilities for avoiding therepetition resulting from the similar forms of the limbs,by enveloping several of… … SAN GIROLAMO. Bv COREOOIO. IN THE VCCAPEMI.V OF PARMA. GKNKRAL Hrr.KS. 125 symmetry in the forms of the principal groups andobjects, is, in general, considered a tiling to be carefullyavoided, the author and artist alluded to, appeals tohave adopted, to a certain extent, regular forms…
Painting · Aesthetics · Perspective
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