On the philosophy of painting: a theoretical and practical treatise.. (1849)
Twining, Henry · London, Longman, Brown, Green, and Longmans · leaf 160
by the ar-rangement, and by the same feeling and interest per-vading the whole, that the perfect observance of unityof subject, place, and action, will strike every one. Theartist has gained additional facilities for avoiding therepetition resulting from the similar forms of the limbs,by enveloping… … SAN GIROLAMO.By Coreggio.in the ac cade mia of parma. GENERAL RULES, 1°25 symmetry in the forms of the principal groups andobjects, is, in general, considered a thing to be carefullyavoided, the author and artist alluded to, appears tohave adopted, to a certain extent, regular forms forComposition,…
Painting · Aesthetics · Perspective
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