ch hehas to deal—upon the nature of the clay, in short. Then there is the question of the after-decoration of theware. Shall he build up his ornament upon it in wet clay,or scratch into it? shall he dip it into colour, or paint it.^ 94 ORNAMENT AND ITS APPLICATION. shall he leave it in the biscuit… … 88. WOOD CARVING IN WHICH THE USE OF THE DRILL ISAPPARENT. his colours apart ? These are only some of the conditionswith which the designer for pottery has to do. Again, we talk of the metals as base or precious. Butthe designer has to regard them from another point of viewalso—according to their…
Decoration and ornament
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