orial tendencies blind us to thesplendid possibilities in the way of purely mosaic glassaltogether independent of painting. The truth is that forpurposes of the most gorgeous ornament at least the glazierneed ask nothing of the painter. And at the Paris Exhibitionof 1900 Mr Daumont Tourmel showed… … 244. FRETTKD IVORY CARVING—A JOUR. one homogeneous mass with the sheet of colourless glass onto which they were laid. Such partnership as this betweenglazier and mosaicist might be of great use in the executionof the flesh and other minute features in the case of figurecompositions glazed for the…
Decoration and ornament
Internet Archive · Wellesley College Library · Public Domain Mark 1.0. Free to use for anything.
