Painting in the Far East : an introduction to the history of pictorial art in Asia especially China and Japan (1913)
Binyon, Laurence, 1869-1943 · New York : Longmans, Green · leaf 120
Tang there was a conscious effortto unite calligraphy with painting. By this wemust understand that painters strove for expressionthrough brush-work which had at once the life-communicating power of lines that suggest theliving forms of reality and the rhythmical beautyinherent in the modulated… … / \ y / N • ^: ■ ■ \ \ THE TANG DYNASTY tifully is to have a command of the brush such asany painter might envy. We cannot doubt thatWu Tao-tzu possessed this union of quahties inan extraordinary degree. After his death an oldman attached to a certain temple used to tell how,when the great master…
Painting -- China · Painting -- Japan
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