A history of painting in north Italy : Venice, Padua, Vicenza, Verona, Ferrara, Milan, Friuli, Brescia, from the fourteenth to the sixteenth century : drawn up from fresh materials after recent researches in the archives of Italy, and from personal inspection of the works of art scattered throughout Europe (1871)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London : J. Murray · leaf 61
edmantle renewed), Sl John Baptist,Sl Anthony of Padua, and Sl Peter.See the engraving in Zanotto Pinac.dell1 Acad. Ven. Fasc. 42. and notethe fine heads of the Virgin andSl Anthony as compared with thej more antiquated mask of the SlBartholomew. 2 No. 284, National Gal. wood, tem-pera, 3-1 by 2-1,… … Chap. III. BAUTOLOMMEO VIVARINI. the marble pallor and careful blending of its flesh, andthe lively contrasts which it offers to the rich tints of thedresses. From this time forward Bartolommeo began to identifyhimself more completely with the classicism of the Pa-duan school. He painted an adoring…
Painting, Italian · Painting, Renaissance
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