A history of painting in north Italy : Venice, Padua, Vicenza, Verona, Ferrara, Milan, Friuli, Brescia, from the fourteenth to the sixteenth century : drawn up from fresh materials after recent researches in the archives of Italy, and from personal inspection of the works of art scattered throughout Europe (1871)
Crowe, J. A. (Joseph Archer), 1825-1896, Cavalcaselle, G. B. (Giovanni Battista), 1820-1897 · London : J. Murray · leaf 76
w that Bartolommeocannot be the author of any por-tion of No. 1113. It is possiblethat Luigi may have done the pieceunder notice as an aid in Bartol-lommeos atelier, and that theDescent of the Holy Spirit shouldbe partly by their joint assistantJacopo da Valentia, whose stylepartook successively of… … Chap. IV. LUIGI VIVAKINI. 55 its outline. We recognize in the Saviour, on the other hand,an imitation of earlier Muranese models, or of the antique,with something of a newer life and more flexible forms; wepardon the contrast between the affectation of the infantspose and the tender quietness of…
Painting, Italian · Painting, Renaissance
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