Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics (1895)
Raymond, George Lansing, 1839-1929 · New York [etc.] G. P. Putnam's sons · leaf 90
transparent, satiny flesh,the chemise is renderedby a pencil that does notgive even the idea of lines,or give an idea so gross asto shock. . . . Teniers,on the contrary, admirably accommodates his touch to thephysiognomy of each object. Without the least difficulty,and as if in sport, he recognizes… … FIG. 19—PALLAS OF VELLETRI :LOUVRE, PARIS. See pages 49, 76, 281. 48 PAINTING, SCUIPTURE, AND ARCHITECTURE. the pencil should be varied, the touch of the painter willalways be good if it is natural, that is, according to hisheart. Ribera is coarse, but his coarseness does not dis-please, because it…
Art · Aesthetics
Internet Archive · Library of Congress · Public Domain Mark 1.0. Free to use for anything.
