Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 138
refined grand style ofPheidias, born about 500B.C., and exemplified in hisMinerva and Jove and oth-er compositions connectedwith the Parthenon. The statue in Fig. 51, is supposed bysome to be a literal copy of the Minerva of Pheidias,and the Theseus, Fig. 52, page 98, is itself one of thestatues of… … FIG. 51.—PALLAS OF VELLETRI. LOUVRE, PARIS. See page 97. 98 PROPORTION AND HARMONY. 100). About the same time as the graceful style, thereis said to have been developed the historical style ofthe portrait-sculptor Lysippus; and the impassionedstyle, still preserved to us in the group of Niobe and…
Aesthetics
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