Paintings of the Louvre, Italian and Spanish (1905)
Mahler, Arthur, 1871-, Blacker, Carlos, Slater, William Albert, 1857-1919 · New York, Doubleday, Page · leaf 253
ng his attitude of humility, he remains a kingin dignity, a happy contrast to his companions, who re-coil with terror in the background. The influence of Caravaggio is also apparent in Do- 228 IAIN riNGS OF THE LOlVRE nicnico Fcti (1589-1G24). The allegory called Melan-choly (No. 1*288) represents… … E. Hautccuuur, Pli.-t. Salle VI 1479. A hattle. — Snivalor E(j.iu. same composition, as in the Guardian Angel (No. 1289),where there is a figure after the manner of Michael Angelo,though exaggerated, and a vapid head w^ith outstretchedneck. His Nero (No. 128G) has swollen muscles andoutstretched…
Musée du Louvre. Département des peintures, des dessins et de la chalcographie · Painting -- Italy History · Painting -- Spain History
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