Smith, Gerard William · New York, Scribner · leaf 170
at Pome, and his style, although influenced by theexample of Poussin, was on the whole not French. His earlierpictures were painted in a peculiar bluish and cool tone, butthis was gradually exchanged, from the time of his arrival in PAINTING IN FRANCE. 141 Italy, for the warmth and glow of his… … Ckossixg the Ford. By Claude LokrainIn the Louvre. (No. 231.) accessories. Eut the magic of the artist lies in transfusing theseforms with the living breath of nature, by means of aerial effects,or varied play of light. The sun, as it changed at every momentof the day, was the constant theme of his…
Painting, Spanish · Painting, French
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
